ekusudei: (Moon Troupe)
The Gypsy Baron / Rhapsodic Moon
Moon Troupe, 2010

Stars: Kiriya Hiromu & Aono Yuki

[ TakaWiki ] [ Asahi Photo Gallery ]

The Gypsy Baron

Gypsy is amazing in so many ways<3

I had been hearing a lot about the 6-minute pair dance in the beginning, set to the overture (I think?), and it really blew my mind. As usual, Marimo and Kiriyan move as if they are extensions of each other. They really are the perfect combi, and every time I see Kiriyan do a complicated lift I think of Mariko<3 I LOVE our top combi.

Many of the songs from Strauss's original score are only slightly arranged, I believe, and then some few songs were added. Much of it is in triple-time, which they mention in many interviews gave them some trouble singing and dancing at first, since it's a rhythm they rarely encounter. The chorus arrangements--all of the songs, really--also had that familiar operatic feel. I'll admit, I was quite stunned by the chorus vocals. They blend so well and sound AMAZING. The solos also sounded very good, and the duets were moving as well, although in one they have Marimo singing up at the edge of her range, which can get piercing. In general, though, they have her singing alto, and it's *beautiful*.

From the few photos I had seen, I wasn't sure how fond I'd be of the sets, but the pig house grew on me. It has a charming fairy-tale feel. And the ruins of Sterk's father's castle are just awesome! I love when they use the rotating stage during the play half♥

I adore the costumes, particularly Sterk's and the gypsies'. Lots of blacks and reds and fun designs. The exception being Tamakichi's - She has a long open vest/jacket that hangs straight with no patterns or lines to it at all, and so she looks like the villain in an Arabian tale. (^^; That, or a stork.

I also love Kiriyan and Marimo and Masaki's hair pieces, extensions, and wigs.<3 Kiriyan's in particular is this perfect wild mane that hangs halfway down her back and looks like something out of a medieval romance novel. You really want to be the maiden with that head in your lap. It fits her character perfectly.

ExpandSummary )

ExpandActresses & Small Complaints )

Rhapsodic Moon

I just-I..... Yes. It's as loud as people had warned me. But I was expecting the loud colors (we always wear yellow and orange in the specials, after all), and the loud music wasn't as bad from my habitual balcony seat.

I fell in love with the opening with the orange neon outfits. Because it was so Tsukigumi, and because there was Masaki, in the nibante place. It was rather incredible; I don't think I can even explain it. I just sat there and thought about the past four years worth of revue shows, and opera-glassing Masaki back somewhere, moving slowly up. And now, here she was. Granted, sharing with Mirio, but still. There. Right there. It's an *amazing* feeling -- I'm sure I had a very stupid grin on my face the entire time.

Overall, though, I have to admit I'm not really a big fan of Nakamura Kazunori-sensei, or his revues. Still! I looked on the bright side; no chansons.

If you want more info on the various scenes, I've added it to the TakaWiki. But, in summary:

Prologue: LOVE
Castle Shining Under the Moon: Pretty Marimo dancing. Baaaaaad wig, Kiriyan. Mini-Death Mirio, who apparently sometimes turns into mini-Phantom. I have not seen this, but I'm told her face is too small to pull off a half-mask properly. (We all agreed that for the same reason, Masaki should not be allowed anywhere near a half-mask.)
Moon Dance: SUIT MASAKI♥ (Club ladies, you are crazy. She looks just fine in a suit.) Singing Masaki in a spotlight♥ Nibante Masaki♥
LUZ Moonlight: I was not fond of the chuzume, despite the Masaki nibante-ness. BUT. Marimo's scene? Where she sang a solo all by herself in front of the curtain because she is just. That. Awesome? *LOVE!*
CARAVAN & Desert Moon: Intellectually, I know I should love these scenes. I certainly adored the bit with the duet dance. I'll give it some time.
Finale: Giving Sonoka that vocal solo, instead of having her dance in CARAVAN & Desert Moon is a criminal act. Firstly, no Sonoka dancing!? Secondly, this song does not fit her vocals and, oh dear. :( Line dance was the usual. I spent much of it thinking Hanahi Mira was Mippou, which tells you how tired I was by that point. Black tailcoat otokoyaku dance was sexy, but also seemed to lack something. I suspect that was the exhaustion, though. Finale duet dance to "I Will Survive"? Too amazing. Doesn't hurt that Rizu-chan picks up the song with Kijou Mitsuru, after Kiriyan stops singing and starts dancing♥♥
Parade: NIBANTE. NIBANTE.

Altogether, an enjoyable revue, and one I won't mind watching multiple times. But not one that made my heart swell so much it felt like it might burst. At least, if it weren't for NIBANTE MASAKI. That alone will make this revue memorable for me. ;)
ekusudei: (Default)
Sorry, even more scrappy English than usual. I'd blame it on being sick, but the truth is I did most of this last week before the cold hit, so I guess being sick just means I feel even less inclined to re-write the bits that don't sound at all natural in English? ;)

Maybe I'm reading between the lines too much here, but I find the references to Moon Troupe seito needing to be "once more [...] taught stage manners and etiquette" to be interesting.

I like Tani-sensei's focus on breaking through Kiriyan's wall. I've definitely felt it a lot since she became nibante, so I hope the plan works. In the same way, if we can get some spontaneity out of Tani-sensei's direction, along with some stricter stage manners, that will be very nice for Tsuki too, I think. I feel like they've been going about things too much by rote, lately, and re-staging famous plays like Elisabeth and Pimpernel wasn't helping.

And I love, as always, reference to our otonappoi combi♥ I hope they will always continue to be used in this very promising way.


Round-Table
"Der Zigeunerbaron"
Moon Troupe Grand Theater Performance, Running until Oct. 4th


Members: (Director) Tani Masazumi, (Article) Okada Takayuki, (Senka) Natori Rei, (Moon) Koshino Ryū, Kiriya Hiromu, Hanase Mizuka, Kiryū Sonoka, Mihō Aya, Aoki Izumi, Seijō Kaito, Ryū Masaki, Asumi Rio, Aono Yuki, Ayahoshi Rion


ExpandRead more... )
ekusudei: (NBN - Tomu & Gun-chan)
Hollywood Lover
Moon Troupe Bow Hall, 2007-08

Stars: Ozora Yuuhi & Shirosaki Ai

[ TakaWiki ] [ TCA Shop ] [ Takarazuka Precious ]

ExpandQuick-quick Summary: )

What I Thought:

Another show I have been hoarding for a rainy day, for so many nostalgic reasons.

I'll be honest, I wasn't even certain if I would like it, or if it would be too much like Last Party, which I didn't really care for all that much. But it surprised me. I felt like, especially in the second act, it contained some genuinely touching scenes which transcended the usual angst-fest of a Takarazuka Love Tragedy. When Amane-san gave the photo to Yuuhi, I started crying.

ExpandRead more... ) I liked the ways that Ueda-sensei managed to make well-worn scenarios fresh.

The farewell speeches were.... I think Koshino Ryuu was the worst off. She fell apart and made mistakes that set Yuuhi off in stitches♥ She was all: "I can do it, I can do it. [GIANT MISTAKE]" And Yuuhi was all: *warm smile* "Ganbatte!" Tsukigumi♥

SAUDADE

Aug. 10th, 2010 11:56 pm
ekusudei: (Default)
SAUDADE
Moon Troupe, 2009, Drama City

Star: Sena Jun

[ TakaWiki ]

Why did no one tell me how much dancing was in "SAUDADE"? I would have watched it sooner. XD

I liked the beginning of the first act a lot, although I think to be properly enjoyed you also should be sure to have at least two people so that you can heckle it loudly and make each other laugh. *grin* For me it lagged towards the end of the first act, because I'm not a huge fan of jazz dance.

The first act was nearly a solid block of DANCE♥

Act two had the skit and then the inevitable Asako Latin Section. The skit was fun and had some catchy songs, but also a lot of philosophizing and everything tied up neatly. Asako singing "Fever" was.... sexy. (The Sky Stage version was actually simply the DVD, rather than the usual senshuuraku recording. They put all of the cut music/vocals back in, but didn't modify the text on the screen that tells you the vocals are cut, which made me blink a few times.)

So, not going to go into any detail here, but still wanted to post something, because I don't remember hearing anything amazing about this show from anyone who saw it and I think it's actually quite a lot of fun. A ton of dancing, and also a lot of chances for people like Atsuki Renka and Isshiki Ruka and everyone in the small cast to shine. And kumichou did two lifts in a row♥

The New Sounds band was also in top form, and I liked a lot of the arrangements of familiar songs. And Asako sang "Kuroi Washi" in a black tailcoat and my life was complete. Love that song!
ekusudei: (Default)
Sawaki Rizu Tea Party
June 13th, 2010 - Aqua Alice Garden

I was so excited when I got the forms and saw that the Tokyo ochanomikai for Pimp would be in the same place as her last one. I love this little restaurant, and having a ton of food included in the price is always marvelous. (Only possible minus is that the sound system is pretty atrocious for when she's singing.)

Unfortunately I wasn't across from really friendly, talkative people this time, and my direct neighbors came in at the last minute, but I was kept busy with the insanely difficult game. It was to fill out a relationship chart using a box full of names and figure out the kinds of connections these people had to Rizu. I did spectacularly bad, but the reveal and the stories she told then made it oh so worth it. :D

They found a way to fit in yet another table this time (which I wouldn't have thought possible!), to match her growing popularity -- so probably about 90 or 100 people there. Oh, sad thought. Will they be able to use the restaurant for Gypsy if there are more people there? Probably not. Anyway, the gift was a collection of multi-colored book clips with "Rizu" written on them. (Pimp seemed to inspire everyone to office supplies in Tokyo.)

Rizu came in right on time, and she was so casually dressed I kind of did a double-take, but it suited her. Her hair was up behind her ears enough that I'm pretty sure she has an extra piercing up at the top of her left ear♥

ExpandRead more... )

(Oh, yes, and because I was an idiot, I kind of ordered two extra sets of Hamlet!! photos, instead of Pimpernel ones. Would anyone like my extra set? 500 yen, and they'll probably mail them to me after the run in Tokyo ends next month.)
ekusudei: (Default)
Normally I would post this under filter, but as I honestly believe Masaki wants the word spread on this I'm going to leave it unlocked. I'm putting it at the top of my semi-review because it's integral to my reactions to things.

I haven't seen much posted about this in the English-speaking fandom, and I'm not sure if it's because people are filtering posts or simply not talking about it, but in any case it's been pretty rampant all over mixi and the Japanese-language boards and comms. Masaki has exhausted her voice. I think the 11 AM show on the 2nd was the worst, as I heard about it from English- and Japanese-speaking friends she actually wasn't able to sing entire portions of one song, which the chorus had to carry, and her eyes teared up as she was singing the "A Piece of Courage" reprise at the end and her voice died. I don't know the music well enough to tell, but people told me that they re-arranged the music for her during some of the songs so that she could sing low instead of high. I saw the 3 PM show on the 2nd, and her voice was a little better (she could carry the notes), but she couldn't project at all.

The 3rd was a two-show day and the ochakai, and we were all very worried, but were told her intention was NOT to communicate via writing (as she had done to preserve her voice during Hamlet). I saw the evening show on the 3rd and her singing voice was nearly back to normal (she was projecting again), but it still sounded extremely painful and her speaking voice was too low and husky. Still, she could talk with nearly her normal voice at the ochakai. It seemed she was continually improving; where we thought the week as Chauvelin would make things worse, she was instead getting better♥

At the ochakai she took a moment to address the subject, saying (paraphrased): I've gotten a lot of letters and words from many people over how worried they are. I want to apologize sincerely for causing you all to worry. I did too much over the last year, and my throat is sore. However, I'm being very careful, and I have consulted many doctors and teachers. There is no damage to my throat, no calluses; it's simply sore. So please don't worry any more. I'm taking care of myself and I'm going to continue to do my best to make this the best production possible.

And, indeed, against all logic, friends who saw the show on the 4th told me that her voice was returned to nearly full strength and they had stopped using the lowered score for her.

So there you have it, the worry and the resolution. Now, on to the show:

-----

The Scarlet Pimpernel
Grand Theater 2010

Leads: Kiriya Hiromu & Aono Yuki

[Taka Wiki ] [ Special Site ] [ Asahi Stage Gallery ]

I was pleasantly surprised when I saw the show for the first time. Hoshigumi's had impressed me, but that was mostly because Chie's performance blew me away. This show doesn't have the technically amazing singers, but it has an earnestness to it, a genuineness, that I love. The troupe is proud of their new top stars, and proud of what they can do. The particularly warm outpouring of love from the audience after every one of Kiriyan's solos at kumisouken made me so happy.

ExpandRead more... )

Overall I like it more than Hoshigumi's, which I'll admit I wasn't expecting. Whether it's troupe bias or whether other opinions will bear me out, I don't know. In any case, Tsukigumi holds their own, powerfully♥ There's a reason they're known as the Western Musical troupe. ;)

With the added problem of Masaki's voice, I'm even more curious now as to who they'll put on the DVD as Chauvelin....
ekusudei: (Default)
The Last Play / Heat on Beat!
Moon Troupe 2009 Tokyo
Nov. 27th, 2009


Star: Sena Jun

[ TakaWiki ] [ Sanspo Sumire Style Stage Graph ]

Summary:

Expandspoilers behind most of the cuts )

What I Thought:

Just want to get my first impressions down before I see it again, so this'll be quick.

This is Tsukigumi. The suit troupe. The gangster troupe. The western musical troupe. The troupe of ridiculously hot tangos. The troupe that I fell in love with. All of the things that I love about Daichi Mao's troupe, and Tsurugi Miyuki's troupe, and Amami Yuuki's troupe, and Kuze Seika's troupe, and Tsubasa Makoto's troupe, and Shibuki Jun's troupe, and Sena Jun's troupe. The people might be completely different, but something intrinsically Tsukigumi is always there. That's why--although of course I'm sad about the retirements!--I'm not devastated. It will still be Tsukigumi♥

ExpandRead more... )

On the Revue:

I've added in the little blurbs for all of the revue acts on the TakaWiki.

ExpandRead more... )
ekusudei: (NBN - Tomu & Gun-chan)
Tsuki no Hokage
Flower Troupe Bow Hall, 2002

Stars: Ayabuki Mao, Ranju Tomu, Sawaki Kurumi

[ TakaWiki ]


Summary:

ExpandRead more... )

What I Thought:

ExpandRead more... )
ekusudei: (Default)
Many thanks to [livejournal.com profile] lliri_blanc for checking it over for me. :)

Round-Table
Elisabeth -Rondo of Love and Death-

Moon Troupe Grand Theater Performance


Members: Koike Shuuichirou (Director/Script Adaption), Yoshida Youko (Music Director), Kiba Takeshi (Interviewer), Sena Jun, Koshino Ryuu, Kiriya Hiromu, Hanase Mizuka, Isshiki Ruka, Ryouga Haruhi, Ken Ruisu, Kiryuu Sonoka, Mihou Aya, Aoki Izumi, Shirosaki Ai, Ryuu Masaki, Asumi Rio, Hazakura Shizuku (Moon), Nagina Ruumi (Cosmos)

( pages 1 - 12 )
ekusudei: (Default)

(Photo: Grand Theater balcony view.)

Note: This is the second half of a two-part review, so some things are going to build off of what I said about the Sunday performance.

Elisabeth
2009 Moon Troupe
June 8th 1 PM performance


Leads: Sena Jun, Nagina Ruumi, Kiriya Hiromu
Switched roles: Ryouga Haruhi (Rudolph), Aoki Izumi (Elmer), Asumi Rio (Stefan)

[ TakaWiki ] [ Daily Sports Online stage photos 1 & 2 ]

Summary:

As I mentioned before, if anyone really needs one, I'll direct your attention to the Takarazuka Wiki.

What I Thought:

Okay, this time I was awake. And this time I both put my opera glasses down most of the time to take in the full effect, and put them up to watch the solos and duets. (...With the occasional sneak at Masaki. I'm only human.) Conclusion -- there was still a spark of love for Elisabeth left that was waiting to be fanned back to life♥ I thoroughly enjoyed it, and I'm looking forward to seeing what they do and change for Tokyo.

Still not a proper review, though. I'll probably inflict one last "impressions" post on you all after the Tokyo run, when I've had time to internalize more.

ExpandRead more... )

So, final verdict from the weekend was one of excitement. I'm looking forward to Tokyo run a lot more now, and I'm definitely buying the DVD. (Yes, it was up in the air for a while. Like I said, I'm pretty burnt out on Elisabeth.) I think people are going to be pleasantly surprised by the results of the unusual casting♥
ekusudei: (Default)
Really rough. Slight spoilers for the show, also probably confusing as hell if you're not familiar with Genji. But also really, really interesting, I think. :)


Round-Table
The Tale of Genji Thousandth Anniversary Production -The Floating Bridge of Dreams-

Moon Troupe Grand Theater Performance: 11/17 - 12/11
from Kageki, November 2008


Members
Adaptor/Director: Oono Takuji
Interviewer: Kiba Takeshi
Senka: Ban Akira, Isono Chihiro, Rika Masumi
Moon Troupe: Sena Jun, Koshino Ryuu, Kiriya Hiromu, Hanase Mizuka, Ryouga Haruhi, Kiryuu Sonoka, Aoki Izumi, Shirosaki Ai, Hazakura Shizuku


Kiba: From November 7th to December 11th, Moon Troupe's Grand Theater performance is The Floating Bridge of Dreams, adapted and directed by Oono Takuji. Ono-Sensei directed Moon Troupe's The Glow of Sunset in Asuka in '04, but this is his first personal Grand Theater show. There is an account in the diary of Murasaki Shikibu (the author of The Tale of Genji) that The Tale of Genji was read in the imperial palace on November 1st, 1008. The Takarazuka Revue has done many kinds of stage adaptations of The Tale of Genji, but for this anniversary year they have taken up the ten Uji chapters about Hikaru Genji's descendents in the next generation. In '73, Sakai Sumio-Sensei created a ballet entitled Ukifune and Kaoru no Kimi, but the production this time is very typical of Oono-Sensei -- tailored into a bittersweet, beautiful piece. Ban Akira-san, Isono Chihiro-san, and Rika Masumi-san from Senka are making special appearances.

Oono: When I read The Tale of Genji this time, I felt that the interesting points--the points that would unfold into a stage adaption--were surprisingly abundant.... To be honest, I found The Tale of Genji's position as an irresistible, must-be-read work of literature disagreeable, and I really didn't care for it. But I suppose it really is true that people's viewpoints change as they age (laugh). The tradition of adapting The Tale of Genji for the stage stretches on endlessly, from Zeami all the way to Houjou Hideji. Although nothing can compare to the readings of those kinds of masters, the story is still one that is read differently from age to age.... I think if you see this performance you will see the interpretation that can be done in the present.

ExpandRead more... )
ekusudei: (Default)
The Floating Bridge of Dreams
Moon Troupe, 2008

Top Star: Sena Jun

[ TakaWiki ] [ Sanspo Stage Graph ]

ExpandSummary: )

What I Thought:

When Hankyu announced that there would be no new top musumeyaku for Moon Troupe for a while, they said that they were going to use the opportunity to showcase the talents of a variety of musumeyaku in the troupe. I think a lot of people were skeptical, but... this show convinced me they weren't entirely blowing hot air. I thought it was a very interesting (and wildly different) adaption of the Ukihashi Chapters of Genji, and I thought Ono-sensei did a marvelous job writing in a lot of largeish musumeyaku parts: Kosaishou no Kimi, Ukifune, Onna Ichi no Miya, Kobai no Naka no Kimi..... As a huge fan of Hanase Mizuka and Shirosaki Ai, I was really happy with it.♥

Okay, Jen, great, you say, but what about the show? We know you hate Takarazuka Genji adaptions, and you always fall asleep in the middle of Asaki Yume Mishi.

ExpandRead more... )

So, yes. I worried I wouldn't love it, and then I worried I'd only love it because of who was in it, but.... I don't think that's the case at all. I loved it as itself -- I really rather cool story that was staged beautifully with enough dancing in the aisles to keep you awake between all of the angst. Also, political plotting.♥ You win, Ono-sensei!

(The revue will have to wait a bit... this took me three hours. ^^;;)
ekusudei: (Default)
Me and My Girl
Moon, 2008 (Hakataza Theater)

[ TakaWiki ] [ Takarazuka Precious Opening Night Review w/Photos ]

Stars: Kiriya Hiromu & Hazakura Shizuru

So... I was pretty blah about the whole revising Me and My Girl. I continued to be blah, even after I heard Masaki was going to be playing Gerald and Jackie in the Hakataza version, except that I'd been dying to see how she handled a female role. Just, keep that in mind. I know it's colored my review.

ExpandWhat I Thought: )

So, a cute production of a cute show, but if you're going to get a Takarazuka version of Me and My Girl I still would rather recommend the 1995 production staring Amami Yuuki and Asano Kayo. This one was lacking a spark of... something. If you want to see Kiriyan blind you with her comic talent, get Ernest in Love.
ekusudei: (Rika & Juri-pyon)
Young Bloods!! -Youthful Floral Pattern-
2006 Flower Troupe, Bow Workshop

[ TakaWiki ]

Leads: Kiryuu Sonoka & Miono Seira

I keep meaning to wait until I have time to watch it again and double-check my summary, but at this rate it's never going to happen, so... from memory, from a long time ago... ^^;

ExpandSummary: )

What I Thought:

Loved it. Of all the Young Bloods, this one has my favorite first act. I am a complete sucker for silly high school dramas, and this one was a great spoof. And as much as I like Sonoka, I have to say that Hinata San completely and absolutely stole the show. Her Koujirou-kun with his mix of Englishisms and odd Japanese, self-love, crowd of swooning admirers, and acted-out delusional daydreams.... *g* Other things I loved about this show were the amount of female roles, compared to the other Young Bloods. Suuko and Juri were both integral to the story, and not in a romantic way. Although, of course, what's a time-traveling story without a little romance? I admit, the ending was actually touching. Put that on top of a completely silly show, and I have to take off my cap to Saitou-S for this one.

On the other hand, I really didn't care much for the second act. The costume choices, in particular, were horrifying. I will say, however, that I absolutely and completely love the pair dance. Those lifts! ♥__♥
ekusudei: (Default)
Magician no Yuutsu
Moon Troupe, 2007

Stars: Sena Jun & Ayano Kanami

[ TCA Pictures Shop ] [ ENAK Sumire Style ] [ Takarazuka Precious ]

Where to even begin? Well, I suppose I'll do this one a bit like I did MAHOROBA. This means it's going to be full of spoilers, so I'd avoid it if you want a surprise when you first watch it.

ExpandRead more... )

I know they say that original shows in Takarazuka are written with the cast in mind, but I think that's more apparent for some shows than for others, and probably some playwrights are better at it than others. This show was perfect for this cast, particularly for Asako, Mihoko, and Kiriyan. Mihoko! I didn't really go into her role much in the summary, but her voice was low and not hoarse exactly, but a little rough. And all of her songs tended to be in a lower range than usual as well, and I think it must have been her natural range because it was gorgeous. There weren't a lot of solos in this show, and when there were solos, they were often little scraps of them (for Kiriyan and Mihoko). There were several duets, though, and lots of really, really catchy group numbers. And all of the songs were actually right for the voices of the 'siennes singing them. Oh, I love when they do that.

The stage work was completely fun -- great lighting and lots of uses of all the mechanics (rotating stage, trap doors, etc.). I loved the sets, particularly what they did with the stairs.

The costumes weren't very elaborate, but I liked Asako's black velvet suit and Ai-chan's green dress in particular. And Eri's leather jacket outfit and Yuuhi's vest and combat boots and open-necked shirt and... yeah. .....Ahi's outfit needs to be seen to be believed.

MAHOROBA

Oct. 17th, 2007 10:22 am
ekusudei: (Default)
MAHOROBA
Moon Troupe, 2007

Stars: Sena Jun & Ayano Kanami

[ TCA Pictures Shop ] [ ENAK Sumire Style ] [ Takarazuka Precious ]

This here be a thorough summary, yo. Because the official summary fails in so many ways.

So. Take the gorgeous choreography of Sha Tamae, mix in gorgeous, moving music complete with shamisen written by a famous (and young, and cute) shamisen musician, the retelling of Japanese mythology, gorgeous, gorgeous costumes reminiscent of Susano-o, and Moon Troupe at its very best. And there you may have an inkling of MAHOROBA's greatness.

For me, its only major failure is that it is too short.

ExpandSummary -- And a warning, because I haven't brushed up on my Kojiki in a while. ;) )

I loved the choreography even more than I was expecting to, and the costumers did a great job with costumes that really showed off Sha-sensei's choreography -- lots of long, silky and billowy sleeves and pant legs for the slower numbers and the storm numbers, and just plain cool outfits for the faster battle scenes and warrior dances. The still photos don't really do them justice -- you have to see them in action! Lots of large group numbers, which is always fun. One scene blended into the next at a non-stop pace, and the music carried you along through it all. The music was also in a good range for all of the singers.

A show I could have gone back to see again and again and again.

For the DVD, I hope they give us a lot of wide-angle shots and save the tight close-ups for the alternate angles. Because as much as you want to see the face of your favorites, the impact of seeing it all in front of you is pretty amazing. I actually tended to not use my opera glasses so that I could see it all.

My only two complaints... Although Ban Akira had some nifty things to do, it seemed odd to pull her into this show for only this part. And Masaki and Yuuhi were almost always in the same scenes.... So I missed Yuuhi almost completely. ^^;; Okay, one more complaint: Why is the whole things so catchy!? I kept finding myself on the verge of bouncing in my seat. Very embarrassing.

Also, I'm trying to mention everyone's favorites in here, but let me know if I've missed someone you want to hear about. ;)

Phantom

Sep. 8th, 2007 11:00 pm
ekusudei: (Default)
Phantom
Flower Troupe, 2006

Leads: Haruno Sumire & Sakurano Ayane

[ TakaWiki Page ] [ TCA Pictures Shop ] [ ENAK Sumire Style Graph ]

Looong summary already on the Wiki, and I think most everyone is familiar with the plot, so I won't repost it here. ;)

So. I don't think it's very surprising that out of the two, I enjoyed Hanagumi's more than Soragumi's. As much as I enjoyed Soragumi's, the cast in Hanagumi's version just seemed to have much better chemistry with each other. It's been a long time since I watched the other, so I can't really compare them point-for-point.

ExpandRead more... )
ekusudei: (Default)
The Energy 5

Cosmos - Black Rose of the Desert: Kuon Maya & Toono Asuka
Moon - LUNA: Yamato Yuuga & Hanase Mizuka
Flower - Asaki Yume Mishi: Ayabuki Mao & Fuzuki Miyo
Star - Golden Pharaoh: Asazumi Kei & Hisato Rie


ExpandBlack Rose of the Desert )

ExpandLUNA )

ExpandAsaki Yume Mishi )

Expand Golden Pharaoh )

Wow. Two shows I didn't really care for as honkoen that I enjoyed/loved as shinjinkoen.

Profile

ekusudei: (Default)
ekusudei

January 2020

S M T W T F S
    1234
567891011
12131415161718
19202122232425
262728293031 

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

Expand All Cut TagsCollapse All Cut Tags
Page generated Jun. 18th, 2025 03:46 am
Powered by Dreamwidth Studios