ekusudei: (Default)
Ai Kagiri Naku
Moon Troupe, 1982-83

Leads: Daichi Mao, Harukaze Hitomi

[ Takawiki ]

ExpandSummary: )

ExpandWhat I Thought: )

Mao: Pretty. Shiny. Good voice. *LOVE*
Harukaze Hitomi: You're not Kuroki Hitomi. Who the hell are you? ... I wanted to slap her character. Gabe wandered in, and I told him I wanted to slap her, and he was rather shocked that I wanted to slap a blind girl. But after about five minutes he agreed with me and fled the scene. She was... obnoxious. Ridiculous. And had a shrill voice.
Tsurugi Miyuki: Bumbling, slimy evil. Hm. Interesting. I am intrigued. Not enough Utako in this show.


In conclusion: I seem to have gotten the wrong half of this performance. I want Passionate Barcelona.
ekusudei: (Default)
Comparing these two, I have to say... 1990 is less painful. And trust me, this is a frightening thing indeed.

Here's the info and song list for TMP 1990 "Hello! Wonderful Time"

Points in its favor include, as many agree, the cuteness of the baby 'siennes in tuxes. Also, Oura Mizuki and Marimo Eri's lovely dance to "New York, New York", Mori Keaki in a suit "42nd Street", and a version of "Leaning on a Lamppost" from Me and My Girl with Kodama Ai playing the policeman.

Points against include: lycra, bad singing, attempts at Beatles and David Bowie covers, and... well, too much to list, really.

TMP 1989 "That's Movie! II

It's two hours of Oscar-winning songs from the 30s to the 80s. And no one attempted to modify them to keys that these woman could actually sing in. I swear my ears started bleeding. Again with the lycra too, but mainly the problem was the singing, because... that's all they did. A few brief walk-across appearances of otokoyaku in dresses (Scarlet ahoy), but that's all we had to break up the monotony.

Points in its favor include.... Suzukaze Mayo singing "Take My Breath Away" from Top Gun (Hey, I'm an 80s child, okay? I like this song; it makes me cry.), and... uh.... Utako's giant, dangly moon earing? ...... And also, um... well, uhm... It's Takarazuka? Actually, though, it was more than worth it for Kaname's version of "Take My Breath Away". It sure did. And also, the faces Fubuki was making at the baby doll in that one song were really priceless.


It appears that Marimo Eri was the current favorite back then. I think she had more appearances in each show than any of the other top stars. I can see why, too. She sang decently and danced well.
ekusudei: (Default)
Minami no Aishuu
Moon Troupe, 1988

There, I was inspired to post the other Utako show I've watched. This summary is based on a viewing oh... 5 months ago? XD So if anyone has any corrections, please let me know.

ExpandCast )

ExpandSummary )

What I Thought

I wasn't extremely impressed by either Utako or Mimi when I watched this show, though they both did a fine job. I watched bits and pieces of it again while I was checking on cast and grabbing some screen shots, and I think I enjoyed it more this second time through, but it's still not really a show to my taste. The drama is very grand; the music as well. It's all a bit too much for me. However, there were some fun dances and costumes, and Maya-san outdid herself in her one short scene *grin*. Kaname was rather scarce for a 2nd-rank otokoyaku. o.0 She made an appearance at the beginning and at the very end as Henry, and at the wedding ceremony she was the "taboo singer", whatever that's supposed to be. I was most surprised by Natori Rei, whom I'm so used to seeing in stodgy old butler roles that I almost didn't recognize her as the island witch. I thought Harukaze Hitomi did an excellent job with the role she was handed, working hard to keep the character believable and sympathetic.
ekusudei: (Default)
*is good, writes a review in her review journal*

Angel's Smile, Devil's Tears (Faust)
Moon Troupe, 1989

ExpandCast )

ExpandSummary )

What I Thought

Utako is a dork. A cute dork, with moments of brilliance, but over-all, a dork. She reminds me too much of a goofy, over-enthusiastic puppy for me to take her seriously, and all I've seen her in so far are two rather depressing, tragic, love stories. What does this tell us? Well, it tells me I really wish I had one of her comedies..... Kodama Ai reminds me eerily of Ayano Kanami at times. I liked her much more in this than in Minami no Aishuu; the more mature role suited her very well. Her singing is always a pleasant surprise. Kaname must be the cutest evil fallen angel in the history of the universe. Luckily she has a good evil smirk. Non-chan slayed me dead again and again. Too cute! Too cute! *sniffles*

The heaven scene scared me. I was very worried what the rest of the show would look like, but luckily we left behind the horrid blond wigs, angel wings, and sacharine singing fairly quickly. The next big song number was at the university and I loved it. It was definitely my favorite song in the show. There wasn't really much dancing, beyond Utako's table dance in the bar and the angsty dance of regret towards the end. Over-all it felt more like a play than a musical, which brings us to the acting. I think Kodama Ai was my favorite actress. Particularly her scene in the mental hospital: "He loves me, he hates me, he loves me, he hates me, he hates me, he hates me, he hates me..." *shivers* Everyone else was, well, all right, but not brilliant. Oh! Non-chan was pretty brilliant. ;) But Kaname kind of hammed it up a little too much, and Utako spent way too much time being a dork. *sigh*
ekusudei: (Default)
A Tale of Two Cities

This is the 1985 Moon Troupe production, not the '03 Flower Troupe Bow Hall.

[ TakaWiki Page ]

Cast:
Sydney Carton - Daichi Mao
Charles Darnay - Tsurugi Miyuki
Lucie Manette - Kuroki Hitomi
Jarvis Lorry - Asazuki Mario
Dr. Manette - Natori Rei
Marquis Evrémonde - Koyanagi Hizuru
Defarge - Hoshihara Misao
Terese (Madame Defarge) - Ariake Jun
[more cast]

Summary: Almost exactly the same as the Bow Hall version, except shorter (because of the revue), and with slightly more explanatory scenes between the minor characters (the Evrémonde family servants, Evrémonde, etc) and a few different songs. Also, DeFarge was much less likable in this version. I like the opening in the tavern in the storm much better than the one in the park they had for this version.

Reaction: My favorite pub scene was kept, the one between Sydney and Charles! Yay! And the drunken scene with Sydney and Lucie! Yay!

Ahem... otherwise, this was probably not a great choice as the first show to see Daichi Mao in. Because really, how can a completely unknown cast stand up to Sena Jun and Co.? I really enjoyed Daichi, but I would have liked to have seen her dance. Beggars can't be choosers, however, and I'm really happy I got to see her in action at all. Her baby face kept throwing me off at first, but I was really digging her by the end of the show.

The blue eye-shadow of the 80s really is as scary as I've been warned...

It was cool to see some of the current Senka ladies playing younger parts.

Note: This was Mao's final performance in Takarazuka.

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