Asaji ga Yado / RavirSnow Troupe 1998Leads: Todoroki Yuu & Tsukikage Hitomi
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( Asaji ga Yado Summary: )What I Thought:Oh. I'd put off watching this one for a couple of reasons, one being that it was a Nihonmono, one being that I'd already watched the shinko version... and one being that it's the last of my un-watched Tom-Era Yukigumi shows. I've said it before, and I'll say it again: There was never a more perfect combination of actresses than what was in Yukigumi between 1998 and 2000.
Asaji ga Yado has things that I like, and things that I don't much care for. I loved, as always, the Tom-Taatan combi. It's a personal favorite of mine. I loved
Todoroki Yuu playing the gawking, silly young Japanese man again (see - "The Search for El Dorado"). She's much too good at it to be believed. I didn't much care for
Tsukikage Hitomi's Miyagi character.... who was simply too self-defacing and self-sacrificing to be believed. Luckily we didn't have to deal with much of her. I loved
Kouju Tatsuki. Always love for Taatan, but she's so
beautiful in Nohonmono.
Love for
Shiokaze Kou being all tough-as-nails. Love for
Kaede Saki's eye-patch. Love for
Takashiro Kei as the rather
gay pretty page. Love for
Aran Kei and
Shiomi Maho, who made lovely bookends for Koh-chan. Love for
Ayabuki Mao,
Tatsuki You, and all of the overly-energetic
puppies young warriors. Love for
Asuka Yuu in a female role. Love for
Ebira Kaoru's creepy monk, particularly for her spooktastic makeup. Love for
Mirai Yuuki,
Kisaki Miri,
Konno Mahiru,
Amase Izuru (so cute!), and
Itsumine Aki -- just because.
Love for the entire concept and love for a ghost story that wasn't nearly as boring as "Ghost at Midnight". And most particularly, love for one of my favorite "battle" scenes done by Takarazuka (When Kaede Saki and co face off against Tom & Taatan). Love even for the Japanese dance, which was graceful and yet each segment short enough that I didn't have time to become bored.
Ravir. Crack. As all good revue shows are.
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