ekusudei: (Default)
OG CHICAGO @ Lincoln Center
Koch Theater
July 20-24, 2016


Cast: Hatsukaze Jun, Mine Saori, Isono Chihiro, Mori Keaki, Asaji Saki, Shizuki Asato, Wao Youka, Kozuki Wataru, Hoshina Yuri, Asami Hikaru, Mizu Natsuki, Yamato Yuuga, Suzu Haruki, Makise Kai, Maishiro Nodoka, Manami Sora, Otohana Yuri, Kayou Kirari, Yuuzumi Shun, Tsukio Kazusa, Hanazuki Yuma, Kaon Yuuki, Mishou Kazuki, Koumi Maito, Kitori Mariya, Urara Moe, Maki Izumi, Hayami Sei

Let me just say straight out up front that I'm not a huge fan of the musical Chicago. However, there were members of this tour group who I thought I would never see live on stage, and others who I thought I would never see again live on stage, so this was very precious to me. When I got into the fandom about 10 years ago, Mariko (Asaji Saki) was eight years retired and living in Brazil with her husband and child. Then she started doing OG performances here and there, but I was never in the right place at the right time. This was AMAZING. And Wataru, who was the top star in the very first live show that I saw in 2005. And Mizu, who I had loved so much as a young star, and Marimo, my absolute favorite top musumeyaku ever, and the list goes on and on.... Even Hayami Sei and Maki Izumi ended up being in the NY cast after all!

I saw the Mariko-Mizu-Tani cast twice, once with Hatsukaze-san and once with Mori-san. I saw the Zunko-Wataru-Komu cast on closing night with Mori-san.

I agree with the NY Times review, the show itself was solid but not anything original or likely to steal your heart away. Of the casts that I saw, the Mariko-Mizu-Tani-Mori was my favorite. Mariko just has that charm and appeal, and while Zunko's singing was of course better she just didn't seem as into the performance. Mizu was hands-down the best performer in the cast. Her charisma just took over the entire stage any time she set foot on it, and her singing was strong and Broadway-esque, which is not true for most Takarazuka voices. Wataru had a lot of fun in the role, and I love her to pieces, but she certainly didn't take over the entire stage like Mizu did. I was not expecting Tani to be my favorite Roxie, but her comedy and comedic faces have always been strong (I still love her Nathan Detroit best), and she didn't pull any punches here. Komu's Roxie was woah sexy, but not as funny. Over-all, the Mizu-Tani interactions were more vicious, and you could really buy them as unrepentant killers, while Wataru and Komu seemed to be enjoying life more.

I wasn't certain about Isono-san's Amos Hart at first, but by the time "Mr Cellophane" rolled around I was sold. Very solid, and strongest in the second act. I was SUPER excited to see Hatsukaze-san live on stage. She was a star in the 60s and 70s, one of the first top musumeyaku when the top star system started to develop, and played Marie-Antoinette in the first Takarazuka production of The Rose of Versailles. She is also Hatsukaze Midori's aunt. She returned to the stage in 2000 with the Toho production of Elisabeth and has been steadily acting since. Her voice is certainly as strong and gorgeous as ever, but she seemed frail on stage and I think she was also having some trouble with her sight.

The two big surprises in this show to me were Mori Keaki and Manami Sora. Stay with me! I've seen Mori-san in TMP Specials, in smaller roles, and possibly in a few shows as top star, but nothing ever grabbed me. But with this production I fell in a big way. Her voice is enormous and rich and lovely and "Broadway-esque." Her encore number "That's Life" was my favorite. Manami Sora, wow was she on point as the Jury. She got the biggest laughs every show with her quick-changes and exaggerated comical performances. Really impressive!

Marimo (Aono Yuki) showed off her dancing chops. She had the intro bit, then she was front and center throughout most of the dance numbers, and then she was really awesome as Go-to-Hell Kitty. Man, the Chicago costumes brought back memories.... I miss her in Moon Troupe. Hoshina Yuri was also excellent as Hunyak. .... Actually, it's a little eerie how those two roles matched the personality of a lot of the roles they played while in the Revue.

There were a couple of places that got laughter that I think they weren't expecting at first, but by closing night they were kind of hamming it up. Like the lines at the very end, where Velma and Roxie talk about how they represent American values. Ironic in the original show, it was hilarious spoken in Japanese.

The rest of the company was also excellent. I was impressed by their dancing every time. And the youngest members, who were not listed in the cast lists for NY, actually were there! (Although only for the Encore.) I was so happy! Especially because I was always stage right and a couple of times Hayami-chan was RIGHT THERE. :3

OK, so let's talk Encore! The gentleman from Lincoln Center who arranged to have the performance is also apparently the one who requested a little mini-revue, so this was something added just for the NYC leg of the tour. And it was AMAZING. Basically a jumble of famous revue numbers from the past.

The first three numbers were in the 2015 "Guys and Dolls" line-dance costumes. Four of the ladies were out in the audience for part of it. It was Koumi Maito (I think?) and Hayami Sei stage right, not sure who was stage left.
"Hello Takarazuka!"
"Mambo! No. 5"
"Mira Cats"

"Solamente Una Vez" - Asaji Saki as otokoyaku, Mizu Natsuki and Yamato Yuuga as femme fatales, not sure who sang the shadow chorus
"El Tango de Roxanne" - Shizuki Asato sang as otokoyaku, Kozuki Wataru, Hoshina Yuri, and Aono Yuki as femme fatales. Zunko is not a dancer, so I am not sure why they had her dancing in this number instead of just singing. She managed to drop someone 2 out of the 3 times that I saw the show, poor thing.
"That's Life" - Mori Keaki as otokoyaku with company. Gorgeous. Takarazuka.
"Glory to Be Takarasiennes (Takarasienne ni Eikou Are)" - aka the "Fairy" song. Wao Youka and Asami Hikaru
"Takarazuka, Home in My Heart (Takarazuka, Wa ga Kokoro Furusato)" - Mine Saori and company (Eeeeeverbody in an otokoyaku gunbu dance. I reeeeaaaaally want to know what the musumeyaku felt to get to dance in it.)
"Sumire no Hana Sakugoro" - Hatsukaze Jun as etoile while the company took their bows with feather fans, and the three principals from the performance came out in feathers.

Each time I saw the show people became more and more confident about clapping when the former top stars made their appearances during their encore numbers. My three times I made certain there was clapping for Marimo and Yuri, who I think a lot of non-fans and younger fans don't really know. After the show and before the encore, the three principals of the cast gave a super-titled talk to introduce Takarazuka and the encore. On closing night Zunko, Wataru, and Komu kept forgetting their lines. XD

It was supremely awesome. So awesome. The best of Takarazuka revue show vibes with 12 former top stars. And my tickets were all row A & B, so this was really the closest I've ever been to the stage during a Takarazuka performance. Those 20 minutes made sitting through Chicago three times worth it. So worth it.


Have you seen a production of OG Chicago? What did you think?
ekusudei: (Default)
[livejournal.com profile] sumire_no_hana pointed out that the Damn Yankees page is up. So much love for girly Wataru. She'll go far. :D

I am terribly, terribly jealous of all of you going to OG shows. There had better be ten page reports, including demachi. ;p

Entrance ceremony for the 95th class, with Yukigumi kumicho Asuka Yuu as the speaker this year, and Yamamoto Asami (17) as the class rep. I wonder if they pick them initially based on entrance exam scores?

Has anyone been reading the articles on Chie? I think it's rather cute how Wataru said she wished Chie understudied under someone else for the experience... instead of her bazillion shinko leads under Wataru, I assume? XD

And a bunch of new music going up on the TCA Music site (ie - iTunes) for download on the 27th, including:

All of Touko's recent Berubara songs, "Icarus", Takarazuka Paris Festival '01, "Hand Drum of Heaven", and three versions of "Kohakuiro no Ame ni Nurete" ('84, and Takarazuka and Tokyo runs of '02), the 2005 theme song CD, and "Hoshikage no Hito/Joyfull!!II".
ekusudei: (Default)
[livejournal.com profile] sumire_no_hana pointed out that the Damn Yankees page is up. So much love for girly Wataru. She'll go far. :D

I am terribly, terribly jealous of all of you going to OG shows. There had better be ten page reports, including demachi. ;p

Entrance ceremony for the 95th class, with Yukigumi kumicho Asuka Yuu as the speaker this year, and Yamamoto Asami (17) as the class rep. I wonder if they pick them initially based on entrance exam scores?

Has anyone been reading the articles on Chie? I think it's rather cute how Wataru said she wished Chie understudied under someone else for the experience... instead of her bazillion shinko leads under Wataru, I assume? XD

And a bunch of new music going up on the TCA Music site (ie - iTunes) for download on the 27th, including:

All of Touko's recent Berubara songs, "Icarus", Takarazuka Paris Festival '01, "Hand Drum of Heaven", and three versions of "Kohakuiro no Ame ni Nurete" ('84, and Takarazuka and Tokyo runs of '02), the 2005 theme song CD, and "Hoshikage no Hito/Joyfull!!II".

"Musical"

Mar. 23rd, 2007 10:26 pm
ekusudei: (Default)
So, I bought this month's "Musical" magazine, for obvious reasons. Yay for Rika's Thoroughly Modern Millie being on the cover! Yay for how adorable she and Juri-pyon look! There was also an ad with Suzukaze Mayo's Marie-Antoinette (I vote Kaname in as next immortal, after Mao), pictures from Titanic (still not sure how much I dig Rika's wig for that show, but I suspect I just need to get used to it.), an ad for the 20th anniversary of Les Mis in Japan (guess who's listed as a Madame Thenardier? Hee... Setouchi Miyo! Guess who's listed as a Fantine? Nagisa Aki!). There's Rika and Juri-pyon interviews, there's Elisabeth Vienna Tour in Japan interviews, there's a PariSora article, there's a Sakura/Secret Hunter color ad, there's news on the upcoming Japanese production of Wicked, there's a Yukigumi Elisabeth article, Hays Code and Wao Concert color photos, there's an article on Oura Mizuki, one on Ranju Tomu's Never Sleep, there's an ad for Wataru and Mori Keaki's Damn Yankees, and then... at the very end, there's a couple of pages which don't interest me at all. But I think this was a good issue. Yes?

"Musical"

Mar. 23rd, 2007 10:26 pm
ekusudei: (Default)
So, I bought this month's "Musical" magazine, for obvious reasons. Yay for Rika's Thoroughly Modern Millie being on the cover! Yay for how adorable she and Juri-pyon look! There was also an ad with Suzukaze Mayo's Marie-Antoinette (I vote Kaname in as next immortal, after Mao), pictures from Titanic (still not sure how much I dig Rika's wig for that show, but I suspect I just need to get used to it.), an ad for the 20th anniversary of Les Mis in Japan (guess who's listed as a Madame Thenardier? Hee... Setouchi Miyo! Guess who's listed as a Fantine? Nagisa Aki!). There's Rika and Juri-pyon interviews, there's Elisabeth Vienna Tour in Japan interviews, there's a PariSora article, there's a Sakura/Secret Hunter color ad, there's news on the upcoming Japanese production of Wicked, there's a Yukigumi Elisabeth article, Hays Code and Wao Concert color photos, there's an article on Oura Mizuki, one on Ranju Tomu's Never Sleep, there's an ad for Wataru and Mori Keaki's Damn Yankees, and then... at the very end, there's a couple of pages which don't interest me at all. But I think this was a good issue. Yes?
ekusudei: (Default)
Some of you might remember how I'd been wanting to read some wonderful, trashy romance novels a few weeks ago. Takarazuka heard the call. And how. I think this show has just shot to the top of my list of Shows Guranteed to Kill Jen Within the First Fifteen Minutes and Then Continue Doing It At Regular Intervals. I'm so happy to see that Snow Troupe's hotness levels didn't suffer terribly from the graduation of Migiwa Natsuko....

Habatake Ougon no Tsubasa yo
Snow Troupe, 1985

[ Taka Wiki Page ]

Cast )

Summary )

What I Thought )

So, yes. I died. Many times. From the outfits, from the drama, from Taako's twitching eyebrows and Mosa's pants and Ichiro's adorableness and Mori's shininess and the whips and chains and red-hot pokers and did I mention the leather pants?
ekusudei: (Default)
Some of you might remember how I'd been wanting to read some wonderful, trashy romance novels a few weeks ago. Takarazuka heard the call. And how. I think this show has just shot to the top of my list of Shows Guranteed to Kill Jen Within the First Fifteen Minutes and Then Continue Doing It At Regular Intervals. I'm so happy to see that Snow Troupe's hotness levels didn't suffer terribly from the graduation of Migiwa Natsuko....

Habatake Ougon no Tsubasa yo
Snow Troupe, 1985

[ Taka Wiki Page ]

Cast )

Summary )

What I Thought )

So, yes. I died. Many times. From the outfits, from the drama, from Taako's twitching eyebrows and Mosa's pants and Ichiro's adorableness and Mori's shininess and the whips and chains and red-hot pokers and did I mention the leather pants?
ekusudei: (Default)
Comparing these two, I have to say... 1990 is less painful. And trust me, this is a frightening thing indeed.

Here's the info and song list for TMP 1990 "Hello! Wonderful Time"

Points in its favor include, as many agree, the cuteness of the baby 'siennes in tuxes. Also, Oura Mizuki and Marimo Eri's lovely dance to "New York, New York", Mori Keaki in a suit "42nd Street", and a version of "Leaning on a Lamppost" from Me and My Girl with Kodama Ai playing the policeman.

Points against include: lycra, bad singing, attempts at Beatles and David Bowie covers, and... well, too much to list, really.

TMP 1989 "That's Movie! II

It's two hours of Oscar-winning songs from the 30s to the 80s. And no one attempted to modify them to keys that these woman could actually sing in. I swear my ears started bleeding. Again with the lycra too, but mainly the problem was the singing, because... that's all they did. A few brief walk-across appearances of otokoyaku in dresses (Scarlet ahoy), but that's all we had to break up the monotony.

Points in its favor include.... Suzukaze Mayo singing "Take My Breath Away" from Top Gun (Hey, I'm an 80s child, okay? I like this song; it makes me cry.), and... uh.... Utako's giant, dangly moon earing? ...... And also, um... well, uhm... It's Takarazuka? Actually, though, it was more than worth it for Kaname's version of "Take My Breath Away". It sure did. And also, the faces Fubuki was making at the baby doll in that one song were really priceless.


It appears that Marimo Eri was the current favorite back then. I think she had more appearances in each show than any of the other top stars. I can see why, too. She sang decently and danced well.
ekusudei: (Default)
Comparing these two, I have to say... 1990 is less painful. And trust me, this is a frightening thing indeed.

Here's the info and song list for TMP 1990 "Hello! Wonderful Time"

Points in its favor include, as many agree, the cuteness of the baby 'siennes in tuxes. Also, Oura Mizuki and Marimo Eri's lovely dance to "New York, New York", Mori Keaki in a suit "42nd Street", and a version of "Leaning on a Lamppost" from Me and My Girl with Kodama Ai playing the policeman.

Points against include: lycra, bad singing, attempts at Beatles and David Bowie covers, and... well, too much to list, really.

TMP 1989 "That's Movie! II

It's two hours of Oscar-winning songs from the 30s to the 80s. And no one attempted to modify them to keys that these woman could actually sing in. I swear my ears started bleeding. Again with the lycra too, but mainly the problem was the singing, because... that's all they did. A few brief walk-across appearances of otokoyaku in dresses (Scarlet ahoy), but that's all we had to break up the monotony.

Points in its favor include.... Suzukaze Mayo singing "Take My Breath Away" from Top Gun (Hey, I'm an 80s child, okay? I like this song; it makes me cry.), and... uh.... Utako's giant, dangly moon earing? ...... And also, um... well, uhm... It's Takarazuka? Actually, though, it was more than worth it for Kaname's version of "Take My Breath Away". It sure did. And also, the faces Fubuki was making at the baby doll in that one song were really priceless.


It appears that Marimo Eri was the current favorite back then. I think she had more appearances in each show than any of the other top stars. I can see why, too. She sang decently and danced well.
ekusudei: (Default)
Castle of Dreams ~A Tale of Takarazuka Youth~

!!! There are no words for this documentary. I wasn't sure what to expect when my friend lent me her copy, but boy am I glad she did. This was filmed in '92 and '93, though I'm not certain when it originally aired. It focuses on Yukigumi and on their preparations for Chushingura, which was top otokoyaku Mori Keaki's final show. But, with what turned out to be eerie timing, it also followed the Takarazuka board through their decision-making of shinjin koen roles, and then through the process of the shinjin koen as well. This answered all kinds of questions I'd been having lately, such as how the roles were chosen, and how long they have to practice, and do they get the same trainers, etc.

The chosen lead? A very young Kouju Tatsuki, who was first in scores in her graduating class (from the glimpse they gave us of the "top-secret" scores, Rika was 8th). "Kouju is not particularly skilled at Japanese-style shows," one of the committee mentions. The... director, I think, answers something along the lines of: "Well, she needs practice, but that's the point of the shinjin koen, after all."

Seeing Taatan break down and start sobbing on Mori Keaki's shoulder after her show was amazing. Not the image I had of our self-assured star Taatan. And then watching Mori pat her on the head.... *g*

Unfortunately, the bright lighting played havoc with my video-to-DVD machine, so it's very white-washed, but I've added it to my distro list anyway, because I think it's very interesting. Also, I want to start a drinking game for how many times the narrator uses the word "kibishii."
ekusudei: (Default)
Castle of Dreams ~A Tale of Takarazuka Youth~

!!! There are no words for this documentary. I wasn't sure what to expect when my friend lent me her copy, but boy am I glad she did. This was filmed in '92 and '93, though I'm not certain when it originally aired. It focuses on Yukigumi and on their preparations for Chushingura, which was top otokoyaku Mori Keaki's final show. But, with what turned out to be eerie timing, it also followed the Takarazuka board through their decision-making of shinjin koen roles, and then through the process of the shinjin koen as well. This answered all kinds of questions I'd been having lately, such as how the roles were chosen, and how long they have to practice, and do they get the same trainers, etc.

The chosen lead? A very young Kouju Tatsuki, who was first in scores in her graduating class (from the glimpse they gave us of the "top-secret" scores, Rika was 8th). "Kouju is not particularly skilled at Japanese-style shows," one of the committee mentions. The... director, I think, answers something along the lines of: "Well, she needs practice, but that's the point of the shinjin koen, after all."

Seeing Taatan break down and start sobbing on Mori Keaki's shoulder after her show was amazing. Not the image I had of our self-assured star Taatan. And then watching Mori pat her on the head.... *g*

Unfortunately, the bright lighting played havoc with my video-to-DVD machine, so it's very white-washed, but I've added it to my distro list anyway, because I think it's very interesting. Also, I want to start a drinking game for how many times the narrator uses the word "kibishii."

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